National Museum
The Yoga-narayana depicts Vishnu in dhyanamudra- as a serene and tranquil figure deep in meditation. ‘Yoga’ itself refers to the union of Narayana with the cosmic being through his meditative focus. The Yoga-narayana is rested on the lotus pedestal, showing detachment from the material world and his spiritual consciousness blooming. This sculpture provides a unique take from the Chandella period c. 10th century- here one finds a two-armed (as opposed to the more conventionally four-armed) Vishnu. It depicts the role of Vishnu as the ultimate source of cosmic energy- as the ultimate Yogi. In that sense, it is seen to represent his divine qualities along with a focus on self-discipline, devotion and meditation. Above all this, order is maintained via the symbolism of his crown (mukuta)- symbolising his supreme authority and divine sovereignty in Vishnu’s role as preserver of the universe and upholder of Dharma. One also finds garments like the dhoti, the uttariyam, the yajnopavita etc. along with divine ornaments and jewellery. In addition, the Yoga-narayana is surrounded by a female figure and a male naga as subsidiaries. One sees more male and female devotees around the main sculpture, while embellishments of floral scrolls, animals, humans etc. are also present at the pedestal.
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