Description

This sandstone sculpture depicts an Alasa Kanya—an “Indolent Maiden”—a graceful figure often seen in Kachhapaghata-era temple art. She stands in a gentle tribhanga pose, with one arm elegantly raised above her head, capturing a moment of serene, unhurried ease. Though seemingly relaxed, her posture and expression reflect a quiet strength and sensual poise. Far from being mere decoration, figures like hers were rooted in ancient artistic treatises and symbolized ideals of leisure, beauty, and the divine feminine. Carved onto temple walls, she brought a subtle, sacred presence—infusing the space with both aesthetic charm and spiritual energy.